Choose the marker type based on ownership
A clip marker belongs to source media and can appear wherever that source is used. That is useful for logging interviews, selects, camera issues, or facts that remain true across edits. A sequence marker belongs to one timeline and is better for client notes, mix fixes, graphics, and delivery tasks tied to the current cut.
Problems start when markers were created in the convenient place rather than the useful place. A source log may need to become an edit checklist, or review notes may need to follow a piece of media into another cut.
Choose an exact marker track
MarkerBuddy places clip and sequence markers in one table with track context for clip markers. Right-click a marker row or its TRK badge, choose Change Marker Track, then choose Sequence (Timeline Marker) or one exact viable video/audio destination.
The current track uses a bold white label, destination name, and checkmark. Other viable choices remain gray until hovered. MarkerBuddy preserves useful details such as name, comment, color, duration, and status where the destination supports them.
Understand placement limits
A sequence time can map to more than one overlapping clip, no clip, a nest, or a retimed section. MarkerBuddy does not claim that every selected sequence marker has one safe clip destination. Unsupported or ambiguous destinations can be skipped rather than guessed.
Use Smart Reconform when the task is not a simple same-sequence conversion but a reviewed transfer to a substantially revised edit.
Workflow
A practical four-step process
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01
Decide who owns the note
Use clip markers for source facts and sequence markers for tasks tied to one edited timeline.
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02
Open the track menu
Right-click the marker row or its TRK badge and choose Change Marker Track.
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03
Choose the destination
Choose Sequence (Timeline Marker), a viable video track, or a viable audio track.
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04
Verify placement
Spot-check overlapping clips, nests, retimes, and ranged markers before continuing.
Good fit
Use this workflow for
- Turning source logging markers into edit-specific notes
- Attaching timeline notes to source media for reuse
- Moving a clip marker onto the active sequence timeline
- Preserving marker text, color, duration, and status where supported
Important limit
What this workflow does not assume
A conversion is constrained by the destination that Premiere exposes. Overlaps, gaps, nests, retimes, unsupported types, or ambiguous clip ownership may be skipped instead of receiving a guessed marker.
